we live in a world filled with potential >axes of evil<. with destruction hiding everywhere, and with everyone surrounded by continents which are infected with violent wars. so it is time to pick up the weapons we use best… and there is no better machine of mental destruction than this series of bone crushing artillery: arms. blessed with powers reaching beyond bullets, daisy-cutters, mines and raging soldiers… the label brings all techno warriors what they need: the pure rage of highly infectious mutant underground techno

techno awesome tracks on this ep two tech tracks plus one ambient track by gys van klooster & tom van h (sb)

repress !! classic detroit - tracks by robert hood & jeff mills

phat groovin latin / balearic summer smasher !!

rerelease !!!

der renommierte us-techno/electro-dj/produzent und wahlspanier maceo plex beginnt sein fabric-mixset mit deepem electro, um dann 20 minuten lang eine 4/4 kick-drum einzufŸhren, die den hšrer auf einen begnadeten trip aus new wave und techno mitnimmt, der sich in voiskis unveršffentlichtem megatrance 2 entlŠdt, um am ende in reflektion und stille zu verharren. dabei bedient sich maceo einer vielzahl an weiteren unveroeffentlichten tracks von jensen interceptor, jon hester, iron curtain, perestroika, north lake, orbe und seinem eigenen alias mariel ito.

somewhere deep in the andromeda galaxy lies the mysterious planet wasteland. little is known. though, rumor says it inhabits lifeforms from all over the laniakea supercluster. these lifeforms have only one thing in common: on their home planet they are part of the mutant society. as an exclusive product for members of the mutant society on earth, radio matrix recorded the auditory data from its latest visitor, delta funktionen. spread over 4 ep s and compiled on this cd, it tells the intense story of his journey towards wasteland.

lopatins prŠziser ansatz an komposition und kreation hat ihn zu einem der einflussreichsten und prŠgnantesten persšnlichkeiten moderner, elektronischer klanglandschaften gemacht. so arbeitete er fŸr viele kŸnstler, regisseure, musiker und fŸhrende kunstinstitutionen: von sofia coppola bis ariel kleiman, von antony & the johnsons (dessen kommendes album er produzierte) bis nine inch nails, von der tate modern (london) bis zum moma (museum of modern art, new york). da dem kŸnstler oneohtrix point never auch immer etwas geheimnisvolles anhaftet, lŠuft seine teaserkampagne mit einer serie an abstrakten interviews, trailern und soundfiles so kamen bereits erste materialschnipsel als midi-dateien in umlauf.

the last 12 months have been a boon for fans of luke vibert, with the veteran cornishman delivering a killer acid album for hypercolour, and a slick, melodious set of disco-inspired jams under his kerrier district alias. here he returns to regular home planet mu with another typically entertaining set inspired by classic british electronic music. utilising his battery of vintage music-making machines, vibert giddily doffs a cap to early 90s intelligent techno, rave-era hardcore, bleep, chicago acid and braindance, occasionally veering off track via easy listening inspired future jazz, wagon christ style hip-hop head-nodders (the title track, which doffs a cap to a forgotten, mid-90s remix he did for ninja tune) and squidgy, synth-propelled mutant electrofunk.

die erste ausgabe mit dem titel -sherwood at the controls vol.1: 1979-1984- prŠsentiert 14 von sherwood produzierte oder remixte tracks zwischen post-punk, mutant-disco, dub, funk und electro aus der hochphase zwischen 1979 bis 1984. klassiker und raritŠten, cd-erstveršffentlichungen und zwei komplett unveršffentlichte tracks (prince far i, voice of authority ft. congo ashanti roy). alle formate unmixed.

after hyperdubs first compilation of 10th anniversary dancefloor heaters, -hyperdub 10.2- features some of the labels best songs of the last five years or so. hyperdub is often associated with dark and brooding instrumental music, however, this mid-summer collection sheds some sunlight over that dread filled reputation, showcasing an underrated cast of talented songwriters, vocalists and producers. the album is laced with brand new cuts from kode9, cooly g, morgan zarate feauring. eska and ghostface killah, jessy lanza, dean blunt & inga copeland, and dva featuring zaki ibrahim. ranging from melancholy r&b, garage, funk, footwork and icy pop, -10.2- covers this overlooked side of the labels back catalogue. the album opens with dean blunt & inga copeland-s grime lullaby signal 2012, one of their final collaborations, moving into burials dubbed-out r&b on shell of light from his seminal album untrue, and jessy lanzas stand-out cut 5785021, before sliding into the digi dub meets r & b slow jam of south londons cooly g with obsessed. king britt features next, with his fhloston paradigm project, on the deeply emotive never defeated- featuring rachel claudio. after their collaboration on his pretty ugly album, dva is joined again by south african singer zaki ibrahim with their brand new summery mutant garage track solid. dam funk jumps on ikonikas funk bomb -mr. cake-, adding a fun, party vocal. continuing the -80s funk vibe is morgan zarate and roses gabors ice cold prince-influenced pusher taker, the lead track from his 2013 ep. jessy lanza contributes some more sparkling r&b with the brand new you and me, followed by another track from morgan zarate, a lost dub featuring the soulful eska and wu tang clans ghostface killah. the tempo raises in the final stretch of the album with dvas and fatimas collaboration just vybe, terror danjah & melekas shimmering r&g cut you make me feel and the 160 bpm soul of the late dj rashads only one from his acclaimed double cup album. the cd closes with the lo-fi, bashy mutation of kode9 & copelands lies lies. 10.2 calls on hyperdubs sirens to balance the moody energy of 10.1 with fourteen slices of hyper soul. let them lead you astray

das mystische, urspruenglich 1979 veroeffentlichte synthpunk kultalbum von c.o.m.a. erscheint nun erstmalig auf cd mit 4 unveroeffentlichten bonus-tracks. bevor er mit charles de goal ein franzoesischer popstar wurde, war patrick blain teil von c.o.m.a., die nur ein einziges album veroeffentlichten. das von sammlern gesuchte album mit aehnlichkeiten zum sound von metal urbain enthaelt eine schraege mischung aus punk-gitarren, proto-industrial synthesizern, mundharmonika und elektronischem schlagzeug. inspiriert von bands wie devo, wire, xtc, kraftwerk, the residents und magazine, sind c.o.m.a. soetwas wie the screamers diesseitig des atlantiks.

ten is the magic number with berlin imprint fumakilla! 2010 marks its tenth anniversary, and to celebrate, label owner woody has compiled ten new, exclusive tracks from the roster, including felipe venegas, livio & roby, valenzuela & casarano, leix & ronro, larsson, alejandro vivanco, danny fiddo, autotune and of course woody himself. over the past ten years, the fumakilla team has been weaving 1s and 0s into intricate patterns, establishing itself as a source for sexy and pumpin club tracks with a sophisticated, artful blend.

58 minutes of alienated, global sound oddities. mixed by dom thomas (b-music/finders keepers). following on from the highly acclaimed miscellaneous mutant mishaps, b-music and finders keepers linchpin dom thomas digs deep into his library of forgotten and unloved sound oddities. blurring the lines of mixtape and original composition, this is an explosive mix of denizen funk, psyche rock and proto house, effortlesly crossing boundaries and uncharted sonic soundscapes, defying genre classification. check!

after an exhausting work of >archeological< research, mannequin is proud to announce the release of the compilation danza meccanica - italian synth wave 1982-1987, now in cd version with 3 absolutely amazing bonus tracks!